![]() They shape and press what look like huge globs of goo but will eventually harden into sculptures, vases, or perfume bottles. ![]() They blow - hence the name blown glass - into the punties to expand the bubbles and balloons on the other end. Contestants stretch it for several feet like it’s a huge, infinitely flexible piece of bubble gum. ![]() The things that can be done with glass, especially when it’s hot and malleable, are mesmerizing to watch. Slide on the fuzziest socks, brew the hottest tea, burrow under your favorite blanket, and turn on Blown Away.įor those not previously exposed to the world of punties (the rods used for sculpting glass) and glory holes (that’s what they call the furnaces where glass sculptures are heated - really, it’s not dirty!), there is major ASMR-adjacent action in Blown Away. What’s different is that it focuses on glassblowing, a physically demanding, primal, and tactile endeavor that most people have probably never witnessed, let alone attempted themselves.Ĭertain aspects of that process make this an inherently winter watch, which is to say it’s the sort of show that will fit seamlessly into whatever hygge routine you have established. The series is structured like pretty much every other competition show that has ever existed: Ten contestants engage in a different challenge during each episode, with one person getting knocked out in every installment until, in the finale, a champion is named. Blown Away, whose second season arrives on Netflix today, is a winter show, always has been, and that should have been obvious to me two years ago. At the time, I characterized it as ideal summer viewing, but I was wrong. The first season of Blown Away dropped on Netflix in July of 2019. “We were kind of given the space to experiment with what is known to be ‘quintessential Euphoria,’ and the episodes were made in quarantine which meant they had to be downsized and more specific, which gave us experimental freedom,” Zendaya said.Nao Yamamoto, generating heat in Blown Away season two. One way that growth was facilitated was through the two special episodes created during the pandemic, which helped both Zendaya and Schafer navigate new territory for their characters and be more creatively liberated - Schafer co-wrote one of the specials, which focused on Jules. “I think taking a step back allowed us to get back inside of ‘Euphoria’ in a different way and allowed it to grow on its own.” “We were just in our heads and kind of worried about having to chase the idea of what ‘Euphoria’ was to so many people, and the pressure and fear that kind of came with that,” said Zendaya, who in September 2020 won an Emmy for her portrayal of Rue. Zendaya and Schafer both said that the pair, as well as the entire cast and crew, had a lot of time to think about the fate of their characters in the two years between Seasons 1 and 2 - given the long delay caused by COVID. “But, you know, as we saw more of what it brought into the story and the script, it became a more interesting and exciting prospect, and once Dom came on board, he made it a lot of fun.” “I think I was in a similar boat to Z when I first heard about this ‘Elliot boy,'” Schafer said. ![]() “And I was like, ‘whoa, whoa, whoa, what are we doing here? But, in retrospect, and also as someone who understands where the show needs to go and what needs to happen for these characters, it’s crucial that Elliot exist and that he be the person that is honestly the catalyst for a lot of things that just have to happen.” Zendaya went on to say she believed it was worth it to have Elliot come in and shake up the plot, and that Fike, primarily known for his music, is a fantastic addition to the cast. “There were a lot of conversations over the years about where the show was going to go and what it was going to evolve into, and I remember when Sam first kind of talked about the idea of this Elliot character, I wasn’t feeling it - as someone who ships ‘Rules’ to the bitter end,” Zendaya said.
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